EXHIBITION HISTORY
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| THE END: Expanded Field Art April 2024 |
Leckie Gassman: Cold Cuts March 2024 |
GIANTS The Origin of Big in Studio Glass November 2023 |
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| Simple Pleasures: Esmaltes Garcia December 2023 |
Carol Milne: Knotty & Nice (Twisted & Coiled Structures) October 2023 |
A Strategy For a Changing World October 2023 |
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| Christopher Maschinot: The Lonely Hunter September 2023 |
Dis/similar Rachel David / Ane Christensenl September 2023 |
Simon Klenell: Coloring a Dream April 2023 |
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| (Disavowed) March 2023 |
Hyper-Materiality March 2023 |
Jeffrey Loura: Aggregates February 2023 |
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| LEO: Light Emitting Objects January 2023 |
New Glass From Sweden November 2022 |
Storytellers in the Post-Style Era November 2022 |
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| Jian Yoo: Special Presentation October 2022 |
Transcendental Objects October 2022 |
Maxwell Mustardo: The Substance of Style September 2022 |
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| Talking to the Future June 2022 |
Transcendental Furniture May 2022 |
Collect 2022 February 2022 |
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| Design Lab 2022 at Bergdorf Goodman February 2022 |
LIT: Are We Not a Shining Light? Part II, January 2022 |
Reliquary: Alive With Hope December 2021 |
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| The Salon Art & Design Fair November 2021 |
LIT: Are We Not a Shining Light? Part I, September 2021 |
Adaptation June 2021 |
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| Handmade Industrials:
Bioplastic Dreams April 2021 |
Scrape & Scratch February 2021 |
Feeling Natural November 2020 |
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| From Many, One October 2020 |
Jeffrey Loura: Balance September 2020 |
Morgan Persson: The Swedish Hoard August 2020 |
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| Bryan Hopkins: Dysfunction/Function July 2020 |
Collective Design March 2018 |
FORM Miami December 2017 |
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