A year ago, this exhibition was conceived as election themed, a celebration of the democratic process. A year ago, there was no Covid-19. A year ago, this exhibition was conceived as being hopeful for a return to long-established norms. A year ago, there was no Covid-19. Now, this exhibitions have grown to aspire to be a measure for the mending of our society’s frayed fabric.

Each work in the exhibition is greater than the sum of its parts. Each work is an aggregate of many small things that form a larger, cohesive whole. Each work finds beauty in bounty and the connection of components. Things are accumulated, woven, or bonded by the dozens, hundreds, or thousands, and then transformed by this association. As a humble visual metaphor, mere aggregation does not do justice in revealing the depth of creative configurations that the artists and designers have achieved in their works.

Obvious aggregation within each object, and even the aggregation of the objects themselves, builds a powerful visual effect that makes a case for the strength and benefits such bonding can provide. Cohesion requires practice, patience, and planning, as well as balance and moderation.  This is as true of society as it is for the objects in the exhibition. In society, complex cohesion has historically been best proven achievable through democracy. And yet, long the presumptive standard bearer of democracy, the American government’s motto rings hollow lately: “From Many, One”. It is a society tattered and torn, vexed with violence, distortion, and disease. In many ways, its democratic standards now seem nominal at best, as the wealthy and corporate interests manipulate the levers of power and channels of access. Cohesion is undermined by gross economic imbalance, a rotten judiciary, and a manipulated electoral system. It a ruinous unraveling has begun.

This exhibition proffers a path to elude entropy by accentuating the achievements of an organized, complex, and technologically enabled society. The very existence of the careers of the sixteen international artists working in onerous, obscure, and odd processes on dispaly, is a testament to what we can accomplish together. That this work was made in merely months, and shipped from around the world, attests to our successful intricate integrated networks of industry, transportation, and finance. We have collectively constructed this through diminutive daily decisions to support the great society we inhabit.

You create this beauty when you decide to pay taxes instead of opening an offshore account or shell company, when you pay your lowliest workers a living wage, when you vote. You destroy it when you hire a lobbyist to distort laws to your narrow benefit, when you buy an SUV that is exempt from passenger vehicle fuel standards because it pretends to be a 'farm truck', when you buy bottled water. Your many small decisions aggregate to form your character, and all our characters aggregates to form our society. If our choices are rotten, we are rotten, and our society is rotten.

Some of us are more responsible for the rot than others. With disproportionate reward comes disproportionate responsibility and risk. To the patron class, the 1% who have perverted our economy, our politics, and our environment - j’accuse. No one is born more deserving, they are born more fortunate, and in our system, good fortune accumulates exponentially. Hoarding unspendable wealth that the system channeled to you is undemocratic. Living a lifestyle more environmentally damaging than the extended families of all your housekeepers combined is indefensible. Being rich has not earned you the right to immorality. Wealth does not buy a separate standard of ethics. You cannot trump norms and morals with money.

This exhibition commends cohesion and solidarity for the beauty that these bonds bring. Where sickness festers in isolation, cure comes in reviving interconnection. Put your drawbridge down, leave your castles in the Hamptons and come back to your TriBeCa triplex. Thousands of people and families depend on the paltry trickle-down you provide to beauty spas and bodegas, dry cleaners and dog walkers – and galleries too. If you sacrifice them to buy yourself the implausible illusion of protection that you imagine your castles provide, there will be a price to pay when the fabric unravels.

Don’t allow ‘from many one’ to devolved into ‘much for few’, and ‘little for most’. When the wealthy withdraw, it weakens the warp and weft. When one-twentieth sequesters two-thirds of America’s wealth, when the few tug the thread away, then the many will surely pull back. Proportionately progressive taxation, the kind the United States once had, and is standard to stable countries, will become an unavoidable economic imperative if the wealthy withdraw too much and too long. Generational wealth, a disease worse than Covid-19, will be cured democratically. The material to mend the tear may be given or taken, but it will be had, as history proves, over and over

This exhibition manifests a metaphor; we are bound together. Our infrastructure, economy, and environment are one. Together, we form one fabric that fashions an extensive and entangled pattern, but your daily decisions determine the design. You may manipulate and fray the fabric for myopic momentary gain, but perverting the pattern undermines the beauty and balance of the system that supports you. This is an emphatic invitation to improve and restore the society you have bulwarked, stratified, and ossified. Refuse or reinvest; the decision is yours. But ask yourself, on the whole, in aggregate, who are you: selfish scrooge, or benevolent benefactor? I invite you to visit and be inspired by the generosity of the bounty the artists have provided for your consumption.

Damon Crain