PAST EXHIBITIONS |
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THE END: Expanded Field Art
April 2024 |
Leckie Gassman: Cold Cuts
March 2024
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GIANTS
The Origin of Big in Studio Glass
November 2023
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Simple Pleasures: Esmaltes Garcia
December 2023 |
Carol Milne: Knotty & Nice
(Twisted & Coiled Structures)
October 2023 |
A Strategy For a Changing World
October 2023 |
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Christopher Maschinot:
The Lonely Hunter
September 2023 |
(Dis)similar
September 2023 |
Simon Klenell: Coloring a Dream
April 2023 |
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The Pleasure of Growth
March 2023 |
Hyper-Materiality
March 2023 |
Jeffrey Loura: Aggregates
February 2023 |
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LEO: Light Emitting Objects
January 2023 |
New Glass From Sweden
November 2022 |
Storytellers in the Post-Style Era
November 2022 |
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Transcendental Objects
October 2022 |
Jian Yoo: Special Presentation
October 2022 |
Maxwell Mustardo:
The Substance of Style
September 2022 |
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Transcendental Furniture
May 2022 |
Talking to the Future
May 2022 |
LIT: Are We Not a Shining Light?
Part II, January 2022 |
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Collect 2022
February 2022 |
Design Lab 2022 at Bergdorf Goodman
February 2022 |
Reliquary: Alive With Hope
December 2021 |
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The Salon Art & Design Fair
November 2021 |
LIT: Are We Not a Shining Light?
Part I, September 2021 |
Adaptation
July 2021 |
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Handmade Industrials:
Bioplastic Dreams
April 2021 |
Scrape & Scratch
February 2021 |
Feeling Natural
November 2021 |
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From Many, One
October 2021 |
Jeffrey Loura: Balance
September 2020 |
Morgan Persson: The Swedish Hoard
August 2020 |
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Bryan Hopkins: Dysfunction/Function
July 2020 |
Collective Design
March 2018 |
FORM Miami
December 2017 |